fear of a black hat

Director: rusty cundieff

Actor: larry b. scott,mark christopher lawrence,rusty cundieff,kasi lemmons

Data Published: Fri Jun 03 1994

Genres: Comedy,Music

Key Words: mockumentary,los angeles california,music industry,fake documentary,south central los angeles

IMDB: https://www.imdb.com/title/tt0106880/

WIKI: https://en.wikipedia.org/wiki/Fear_of_a_Black_Hat

Description: Fear of a Black Hat is a movie starring Larry B. Scott, Mark Christopher Lawrence, and Rusty Cundieff. A mockumentary chronicling the rise and fall of NWH, a not particularly talented--or particularly bright but always...

Plot: The film is a comedic mockumentary depicting the perspective of a filmmaker as she trails a hardcore gangsta rap group called N.W.H. ("Niggaz With Hats"), a play on the name of the popular group N.W.A In many ways, Fear of a Black Hat is similar to the satirical film about early 1980s heavy metal This is Spinal Tap. The members of N.W.H. are: The film is told from the point of view of Nina Blackburn (Kasi Lemmons), a sociologist who analyzes hip hop as a form of communication for her degree. She chooses N.W.H. as the subject of her thesis and follows them around for a year. She familiarizes herself with the band members, their beliefs, and their often strange behavior. The members wear outrageous headwear during their performances. This is explained as an act of rebellion, remembering their slave ancestors, who had to work bare-headed in the sun. According to N.W.H., hats are a symbol for resistance and revolution since their hatless ancestors were too tired from working all day in the sun to revolt. This is a typical example of the bizarre logic the group uses to explain the deeper meanings behind their otherwise crude and base music and images. A steady source of comedy is N.W.H.'s use of over-the-top graphic language (e.g. sex, violence and rantings against the police), which detractors see as a cheap means to sell records, but in their eyes is essential to convey a "socially relevant message". They offer jaw-dropping explanations why songs such as "Booty Juice" and "Come and Pet the P.U.S.S.Y." are in fact deep and socially significant, and that detractors obviously do not truly understand the "real meaning". Throughout the movie, it is difficult to tell if the members of N.W.H. truly believe what they are saying, or are just portraying an image. A lot of time also goes into describing N.W.H.'s feud with another rap group, the Jam Boys. The groups constantly insult and discredit each other, even sometimes resulting in brandishing weapons. At one point, N.W.H. brings to light evidence that the Jam Boys' lead rapper attended a prep school, directly threatening his street credibility. A macabre running gag—inspired by This is Spinal Tap—involves their white managers dying under mysterious circumstances (the group originally insist that they "wasn't in town when the shit happened"). They explain to Nina that their first few managers were black—in fact, were their relatives—and that they decided switching to white managers would be better for their families and the black community. N.W.H.'s internal matters turn sour when Ice Cold cuts down his involvement because he wants to participate in a film, and Cheryl C. (Rose Jackson), a groupie, hooks up with Tasty-Taste. Although she is clearly more interested in his money than in him, Tasty lets her take over his life. When Tasty finds Cheryl and Ice Cold in bed, N.W.H. is no more. The group breaks up and each member launches a solo career. Ice dedicates himself to house music; Tasty brings out a diss track in which he curses Ice; and Tone Def becomes a hippie (with obvious references to "flower rappers," such as P.M. Dawn). None sees much success until they ultimately reunite for a triumphant comeback in which their differences have been set aside, at least for the time being.