bamboozled

Director: spike lee

Actor: damon wayans,savion glover,jada pinkett smith,michael rapaport

Data Published: Fri Oct 20 2000

Genres: Comedy,Drama,Music

Key Words: television industry,african american,reference to jimmie 'j.j.' walker,reference to johnnie cochran,african american history

IMDB: https://www.imdb.com/title/tt0215545/

WIKI: https://en.wikipedia.org/wiki/Bamboozled

Description: Bamboozled is a movie starring Damon Wayans, Savion Glover, and Jada Pinkett Smith. A frustrated African-American TV writer proposes a blackface minstrel show in protest, but to his chagrin it becomes a hit.

Plot: Pierre Delacroix (real name Peerless Dothan) is an uptight, Harvard-educated black man working for the television network CNS. At work, he has to endure torment from his boss Thomas Dunwitty, a tactless, boorish white man. Not only does Dunwitty use AAVE and the word "nigger" repeatedly in conversations, he also proudly proclaims that he is more black than Delacroix and that he can use "nigger" since he is married to a black woman and has two mixed-race children. Dunwitty frequently rejects Delacroix's scripts for television shows that portray black people in positive, intelligent scenarios, dismissing them as "Cosby clones". In an effort to escape his contract through being fired, Delacroix develops a minstrel show with the help of his personal assistant Sloane Hopkins. Mantan: The New Millennium Minstrel Show features black actors in blackface, extremely racist jokes and puns, and offensively stereotyped CGI-animated cartoons. Delacroix and Hopkins recruit two impoverished street performers, Manray and Womack, to star in the show. While Womack is horrified when Delacroix tells him details about the show, Manray sees it as his big chance to become rich and famous for his tap-dancing skills. To Delacroix's horror, not only does Dunwitty enthusiastically endorse the show, it also becomes hugely successful. As soon as the show premieres, Manray and Womack become big stars, while Delacroix, contrary to his original stated intent, defends the show as satire. Delacroix quickly embraces the fame and recognition he gets from the show while Hopkins becomes ashamed of her association with it. Meanwhile, an underground, militant rap group called the Mau Maus, led by Hopkins' older brother Julius, becomes increasingly angry at the content of the show. Though they had earlier unsuccessfully auditioned for the program's live band position, the group plans to end the show using violence. Womack quits, fed up with the show and Manray's increasing ego. Manray and Hopkins grow closer, despite Delacroix's attempts to sabotage their relationship. Delacroix confronts Hopkins, and when she lashes back at him, he fires her. She then shows him a videotaped montage she created of racist footage culled from assorted media to shame Delacroix into stopping production of the show, but he refuses to watch it. After an argument with Delacroix, Manray realizes he is being exploited and defiantly announces that he will no longer wear blackface. He appears in front of the studio audience, who are all in blackface, and does his dance number in his regular clothing. The network executives immediately turn against Manray, and Dunwitty fires him. The Mau Maus kidnap Manray and announce his public execution via live webcast. The authorities work feverishly to track down the source of the internet feed, but Manray is nevertheless assassinated while doing his famous tap dancing. At his office, Delacroix (now in blackface make-up himself, mourning Manray's death) fantasizes that the various black-themed antique collectibles in his office are staring him down and coming to life; in a rage, he destroys many of the items. The police kill all the members of the Mau Maus except for One-Sixteenth Blak, a white member who demands to die with the others. Furious, Hopkins confronts Delacroix at gunpoint and demands that he play her tape. As he does so, Hopkins reminds him of the lives that were ruined because of his actions. During a struggle over the gun, Delacroix is shot in the stomach. Hopkins flees while proclaiming that it was Delacroix's own fault that he got shot. Delacroix, holding the gun in his hands to make his wound appear self-inflicted, watches the tape as he lies dying on the floor. The film concludes with a long montage of racially insensitive and demeaning clips of black characters from Hollywood films of the first half of the 20th century.[2] Afterwards, Manray is shown doing his last Mantan sequence on stage.